Written, produced & directed by Madeleine Sims-Fewer and Dusty Mancinelli
Secrets, carnality, violence, revenge and the merciless spell of the natural world all hover over an ostensibly carefree family get-together in VIOLATION, part of the Midnight Madness programme at the 2020 Toronto International Film Festival.
This audacious debut feature from writer-producer-directors Madeleine Sims-Fewer and Dusty Mancinelli, is also foregrounded by an uncompromising lead performance by Sims-Fewer herself. This mesmerizing star-turn, paralleled by her ingenuity as a filmmaker, makes this Canadian a quadruple threat.
And these efforts have not gone unnoticed. Tapped by TIFF, Sims-Fewer is one of this year’s four Rising Stars just announced by the festival.
Violation is a chilling and gruesome portrait of trust, loyalty, and sibling rivalry that pulls the audience through a dark vortex into a PTSD memory smash and untangles a sticky web of trauma and resentment.
In a film that transports itself seamlessly between recent past and present, the audience first meets Miriam (Sims-Fewer) and her partner Caleb (Obi Abili) as they drive to the rustic lakeside cottage property owned by Dylan (Jesse LaVercombe), who is married to Miriam’s sister Greta (Anna Maguire).
A sibling relationship that is outwardly loving and bonded by a shared British upbringing, soon reveals unspoken fractures, and bottled-up resentments that play out in the course of a profoundly troubled weekend.
Meanwhile, Dylan, the almost aggressively understanding and helpful brother-in-law, has another side that lies not far beneath the surface.
Shot using all-natural light, a la Terrence Malick’s Days of Heaven, and with a plot and style that evokes Lars von Trier’s Antichrist, VIOLATION seeks to push forward the aesthetic of anti-artifice that began to assert itself at the beginning of the 21st Century. Its mood is dictated by its natural environment, and by the all-too-human motivations of its characters, unhindered by civilization and the presence of others.
And all around in the wild, we see living metaphors in the familiar dance of predator and prey.
“We are massive fans of revenge films, but were interested in flipping the genre on its head,” says Mancinelli, “exploring the brutality of revenge from an unflinchingly human perspective.”
“Although the film is violent and explicit,” adds Sims-Fewer, “at its heart it’s a character study about sisters, and the complicated nature of trauma.”
“Halfway through my first watch of VIOLATION, I was so impressed by its craft and so rattled by its thousand-yard-stare into human cruelty that I knew its shocking trajectory would gobsmack the Midnight audience”, says TIFF’s Midnight Madness Programmer Peter Kuplowsky. “And whether they’re rapt or repelled by the film, I expect audiences and industry alike will recognize Madeleine and Dusty as major talents.”