Opera « As One» – Phillip Addis replaces Dominique Côté

Photo credit: Yasuko Kageyama

CHANGE OF SINGER IN “AS ONE”

PHILLIP ADDIS REPLACES DOMINIQUE CÔTÉ

OCM PRESENTS THE QUEBEC PREMIERE
NOVEMBER 20 & 21, 2020

The Orchestre Classique de Montréal is proud to welcome baritone Phillip Addis to the cast of the opera As One. He replaces Dominique Côté who was initially scheduled to perform the role of Hannah Before. The Quebec premiere of the American opera As One takes place on November 20th and 21st, 2020at the Cirque Éloize. The duration of the work is 75-minute with no intermission.

There will be two options available to enjoy this performance. Only 100 tickets per performance will be on sale for those who wish to attend the concert in person while respecting social distancing requirements. This will truly be a VIP experience, complete with safety measures and sufficient distancing between members of the audience.

Thanks to the TD Bank‘s digital presenter sponsorship, it will also be possible to enjoy the performance through our high-quality virtual broadcast comfortably seated in your own living room, whether it be in Montreal, Val-d’Or or overseas. It’s the perfect occasion to discover or to be reunited with this art form!

Created in September 2014 at the Brooklyn Academy of Music, this operatic work by Kimberly Reed and Mark Campbell (libretto) and Laura Kaminsky (composition & concept) tells the story of a trans woman discovering her identity and learning how to love herself in a world that makes her feel like an outcast. This universal tale explores themes of identity, authenticity and compassion. We follow Hannah, a trans woman interpreted by two singers, Baritone Phillip Addis (Hannah before) and Mezzo-Soprano Sarah Bissonnette (Hannah after). This opera is written for a string quartet and comprises 15 songs that narrate important moments in the life of the main character, Hannah. This production will be enhanced by the work of stage director Eda Holmes, lighting designer Anne-Catherine Simard Deraspe, and film projections by Kimberly Reed.

“We are very excited to present this opera which has garnered great success in the United States and deals with themes that perfectly fit in with the spirit of our times. As a member of the LGBT+ community, I am especially proud to offer our audience this opera which illustrates the realities of the trans community”, says OCM’s Executive Director Taras Kulish.

This production allows the OCM to collaborate, for the very first time, with the LGBT+ Chamber of Commerce. Each presentation will be followed by a brief discussion with the audience, moderated by Tranna Wintour, spokesperson for this project, who will be surrounded by a panel of guests including members of GRIS Montréal, an organisation that aims to demystify sexual orientation and gender identity through the telling of individual stories.

Born in Boucherville, Mezzo-Soprano Sarah Bissonnette recently performed the role of the Exorcist in the world premiere of Ghost Opera (Krausas). A versatile performer, she also lent her voice to the title role of Ariodante and has interpreted Romeo (I Capuleti e i Montecchi), Mercedes (Carmen) and Giunone (La Calisto). She also appeared as a soloist in works by Bach, Buxtehude and Debussy. After winning first prize and the people’s choice award at Vancouver Opera’s VOX competition, Sarah was featured in the 2019 CBC article 30 hot classical musicians under 30. She completed the Calgary Opera’s Emerging Artists Program and is a graduate of McGill, University of Toronto and Cégep de Saint-Laurent.

Baritone Phillip Addis loves performing lead roles such as Figaro, Don Giovanni, Eugene Onegin, Billy Budd and Pelléas. These, and dozens of other roles, have brought his daring yet sensitive performances to opera houses worldwide. His acclaimed concert performances include the works of Mahler, Orff and Britten, as well as many contemporary pieces. He has shared masterpieces of song in recital with pianist Emily Hamper, with whom he is also Co-Artistic director of the Stratford Summer Music Vocal Academy.

Stage Director Eda Holmes is the Artistic and General Director of the Centaur Theater. She has directed performances across the country, namely for the Shaw Festival where she was associate director from 2010 to 2016. Since she took the lead at the Centaur Theater, she has directed several critically acclaimed performances. Before becoming a stage director, she was a professional dancer with the San Francisco Ballet, the Dutch National Ballet and the William Forsythe’s Frankfurt Ballet.

Canadian conductor, Geneviève Leclair was named Music Director of the Parkway Concert Orchestra in 2013 and was hired as an Associate Professor of conducting by the Berklee College of Music in 2016. She is also a guest Conductor for The National Ballet of Canada and a member of the Conductor Guild’sBoard of Directors. 2020-2021 season highlights for Geneviève include engagements with Symphony New Brunswick and l’Orchestre Classique de Montréal.

As One – English-language chamber opera presented with subtitles

20 and 21 November at 7:30 PM

Cirque Éloize – 417 Berri St., Montreal (Québec) H2Y 3E1

Sarah Bissonnette, Mezzo-Soprano

Phillip Addis, Baritone

OCM string quartet

Geneviève Leclair, Conductor

Eda Holmes, Stage Director

Anne-Catherine Simard Deraspe, Lighting Designer

Laura Kaminsky, Music and Concept

Mark Campbell et Kimberly Reed, Libretto

Kimberly Reed, Film-Projections

Tickets:  $75 + taxes: live attendance (only 100 VIP tickets available)

$15 + taxes: virtual attendance

Buy your tickets online at orchestre.ca

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