Photo credit: Kat Mills Martin
Arranged by Sidley as “an atomic-aged dream,” she explains that “A Dream Is A Wish Your Heart Makes” always “rescued me from sadness.”
“A Dream Is A Wish Your Heart Makes” is a Disney classic, and is one of Sam’s favorite songs to sing. Her haunting, sensual, and pleasantly disoriented soaring vocal version of the tune is streaming everywhere now. Hear it courtesy of Jazziz, read an interview with Sam at Esthetic Lens, or click the link below.
(Release Me Records)
STREAM FULL LP
01. I Like Girls (STREAM | MP3 | VIDEO)
02. Only You Can Break My Heart
03. Naked To Love
04. Butterfly In My Ass (STREAM)
05. I Can’t Listen (VIDEO)
06. Listen!! (STREAM | MP3)
07. Rose Without Thorns
08. Busy Doin’ Nothin’ (STREAM | MP3)
09. Easy To Be True
10. Interior Person (VIDEO)
Samantha Sidley | About
Samantha Sidley is a jazz vocalist, born-and-raised in Los Angeles, and she likes girls.
The words “I like girls” are the first thing you’ll hear when Sidley’s debut album Interior Person (Out Now, Release Me Records) opens. The song is an unassuming anthem, a future standard for an evolving culture. It’s also a fun and funny ice-breaker that you’ll sing along with.
“I Like Girls” is a peek into what plays out as a meticulously crafted debut album featuring Sidley’s beautifully trained voice taking confident ownership of songs written for her to sing by some of the most important women in her life.
These other “girls” include fellow musicians Inara George, Alex Lilly, and Sidley’s “Top One” favorite musician of all-time, her wife, Barbara Gruska.
“Inara and Alex and Barbara wrote songs that are all very personal to my story – they literally are my story – and from my lesbian perspective, which I appreciate so much,” Sidley says. In addition to co-writing many of the songs here, and playing drums (masterfully) on many of the tracks, Gruska also produced Interior Person in a studio constructed in Sidley’s childhood bedroom.
“My whole life was a song,” Sidley says of her childhood. “If I looked at a tree, it was a song. If I felt happy, sad, joy, it was a song. When I first heard Judy Garland in ‘The Wizard of Oz,’ I remember thinking: ‘I understand.’ I’ve always considered myself an interpreter, which is sort of and undervalued art form. I like to take a song and make the story true for me.”
Sidley soon discovered Aretha Franklin, Billie Holiday, soul music in general, and her own personal “soulfulness” itself. You know, like all seven-year-olds do. Later, considering how annoyed 11-year-old Sidley was when her vocal instructor wouldn’t allow her to sing Holiday’s “Lover Man (Oh Where Can You Be)” at her first recital, it all made perfect sense.
A decade later, Sidley got to sing whatever she wanted, performing at NYC’s legendary Oak Room at the Algonquin Hotel, where she lived in Dorothy Parker’s room, listened to a lot of Anita O’Day and Ella Fitzgerald, and landed a rave review in The New York Times.
“She knows exactly how I express myself and what my intentions are,” Sidley says of her working relationship with Gruska. “Collaborating on this record has actually been a much longer collaboration of us getting to know each other.”