East-London-based Polychrome, who channel the spirit of Cocteau Twins with the electronic ecstasy of M83, are made up of Oliver of The Bronze Medallists and Victoria of Victoria and Jacob. Victoria and Jacob have been championed by the likes of NME, Time Out, The Line of Best Fit, Uncut and DIY to name a few, and have also supported The Mystery Jets, Com Truise, Daughter, and Katy B. Oliver, frontman of indie electronica band Bronze Medallists (also solo performer/activist Olly the Octopus AKA ‘Boris Johnson’s Nemesis’ – City AM), has worked with the likes of Lucy Rose, Mt Wolf, L.A. Salami, and been supported by Radio 1, Radio X, Radio 2, and 6music to name a few.

 Polychrome now release lead-single ‘Final Kiss’ off the upcoming self-titled debut album ‘Polychrome’, which opens with crisp production that features floating vocal samples on flowing synthesiser, making for a deep estuary of thick chromatic chords. Victoria’s silky, reverberating lyricism pours through the verses, and rock-pool crevices are filled with intertwining bubbly synthesisers. 


 Single artwork by Print Designer Lisa King whose work has appeared in Vogue, Harper’s Bazaar and W Magazine, and has collaborated with Kylie Minogue

Victoria studied Creative Music Tech in Cambridge and has contributed a large amount of the production on the album; she feels there is still a massive fight for women in the industry and wants them to get into production and songwriting in the typically male-dominated industry. Victoria considers production during the songwriting process, visualising which effects, samples, and techniques might be used.


Much of the Polychrome album was written in isolation at Grianian Eco Lodge in Scotland – close to Oliver’s hometown. The band took some time out to focus here. Inspired by the incredible landscape and isolation, the duo feel their sonic soundscapes are massively influenced by the Highland views, rivers and incredible mountains.

 Final Kiss was one of my favourites to work on as I directed the production. I really wanted a vintage sound, and managed to pick up a harmonica mic that I found in a bargain bin. I’ve got a Juni 106 keyboard and a 107 drum-machine keyboard at home that I also recorded to gain the backbone for this track. I’m big on female production and songwriting and seeing how male-led the industry is drives me harder. Olly is always happy to let me take the driving seat as he trusts my style and skill.’ – Victoria