**NORTH AMERICAN PREMIERE: MIDNIGHT MADNESS – TIFF 2019**
The film is the prolific auteur, Takashi Miike, at his most fun and anarchic, a noir-tinged yakuza film blending genres in the story of a young boxer and a call girl, who fall passionately in love while getting innocently caught up in a drug-smuggling scheme over the course of one night in Tokyo.
Friday, September 13 at 11:59 PM – NORTH AMERICAN PREMIERE | Ryerson
Saturday, September 14 at 7:00 PM | Scotiabank 2
Sunday, September 15 at 10:00 PM | Scotiabank 2
Muneyuki Kii (A BRIDE FOR RIP VAN WINKLE), Jeremy Thomas (ONLY LOVERS LEFT ALIVE, THE DREAMERS, THE LAST EMPEROR), Misako Saka (BLADE OF THE IMMORTAL, YAKUZA APOCALYPSE)
Masataka Kubota (13 ASSASSINS), Sh ta Sometani (TOKYO TRIBE),Nao Ohmori (ICHI THE KILLER)
About the Director
Born on August 24, 1960, Takashi Miike spent his youth in the Korean district (Yao) of Osaka in Japan, graduating from the Yokohama Film Institute, whose Dean is none other than Shohei Imamura. After some experience in television, Miike was drafted by Imamura who made him his assistant director on Zegen and Black Rain.
Miike’s first films were made direct-to- video thanks to the V-cinema system, which was a way for Japanese studios to develop young filmmakers without using big budgets. Miike was recognized by his peers with Shinjuku Triad Society, and immediately became known for his energetic style. A fierce filmmaker, Miike began to explore new genres and accelerate his output. He has since directed more than 100 features between the late 90s and 2019. In his work, Miike can be seen perverting the Yakusa Eiga (mafia genre), as well as the burlesque comedy (Yatterman), the intimate drama (Visitor Q), the Western (Sukiyaki Western Django), the horror film (One Missed Call), the manga adaptation (Crows Zero 1 and 2, Ichi The Killer, Terra Formars), Tokusatsu – Japanese-style super hero movies (Zebraman) and the action genre (Dead or Alive 1, 2, 3). Miike expresses the “do it yourself” attitude of punk culture in his films. He has an impulse to send out ideas, and offers to Japanese society a distorting mirror of a particularly violent world. It is also a cinema bathed in a melancholic but humanistic vision of life, perhaps seen most clearly in The Bird People In China. In Gozu, Miike’s famous manifesto film, we can see a global vision of his art: a paranoid Yakuza story under a surreal mythological influence.
Miike shows real pleasure in compiling his favorite themes while building a unique cinematic architecture. After being saluted by Quentin Tarantino, Audition became critically acclaimed in the West. For his 100th film, Blade of the Immortal (2017), an adaptation of the manga by Hiroaki Samura, Miike ascended the Palais steps in Cannes with Takuya Kimura.
Miike presented his new vision FIRST LOVE (Hatsukoi) in Cannes in May 2019 as part of Directors’ Fortnight. For this film, he enlisted star Masataka Kubota, who he previously directed as one of the 13 Assassins, and Nao Otomo who starred in his notorious film Ichi The Killer. Among his loyal collaborators, Miike has once again collaborated with screenwriter Masaru Nakamura (Bird People in China, Sukiyaki Western Django), composer Koji Endo (13 Assassins, Hara-Kiri: Death of a Samurai) and his director of photography Nobuyasu Kita (13 Assassins, Hara-Kiri: Death of a Samurai, Blade of the Immortal).