The Montreal International Documentary Festival (RIDM) announces its complete 2020 program (November 12 to December 2)
3 stimulating weeks of documentaries and discussions
The Montreal International Documentary Festival (RIDM) hass proudly announced the program for its 23rd edition. This year, the festival will run for three weeks, from November 12 to December 2. 109 films, including 48 features, and numerous online discussions and workshops will, more than ever, make November a grand celebration of documentary film.
This year, the festival’s program will be available online everywhere in Quebec via enligne.ridm.ca, the festival’s streaming platform powered by CineSend. To make the most of the flexibility enabled by the web while creating a festival experience that encourages a dialogue among the works, a subset of the program will be available each week. The weekly line-ups will be organized around 8 thematic sections with equal weighting for short, medium and feature-length films. In addition to the films, the sections will be enhanced with complementary content such as video discussions and podcasts. All films and other content will be accessible with reduced-cost passes and subscriptions. The films in this year’s festival come from 45 countries and once again underscore the superb work being done by women – who made 52% of the films in the official selection. As a space for discovering new documentary voices, the festival will include 18 first features alongside works by festival favourites like Frederick Wiseman, Claire Simon, Dieudo Hamadi, Laura Huertas Millán and Kazuhiro Soda.
TRAILER 2020: vimeo.com/470252359
Meeting the many challenges of 2020, the RIDM has designed its sections as explorations of issues and responses to current realities.
NOVEMBER 12 TO 18, the RIDM invites audiences to:
DISRUPTING HISTORY: 11 films that use cinema to shed light on little-known historical episodes, critique official narratives or reflect on the enduring impact of key figures. Collectively, these essays, broadsides, performances and archival explorations form a fascinating set of works that, from Canada to Afghanistan, Colombia and Nigeria, encourage us to rethink our relationship with the past:
84 by Daniel Santiago Cortés
499 by Rodrigo Reyes
A Bright Summer Diary by Lei Lei
The American Sector by Courtney Stephens and Pacho Velez
Bicentenario by Pablo Alvarez-Mesa
Histoire d’un regard by Mariana Otero
The Forbidden Reel by Ariel Nasr
Inconvenient Indian by Michelle Latimer
Ouvertures by Louis Henderson and Olivier Marboeuf
Une image, deux actes by Sanaz Sohrabi
EXPLORING NATURE: 11 films about our multifaceted relationships with nature and the environment: the impacts of climate change, spiritual and mystical connections with the natural world, animal’s-eye-view perspectives and observations of the socio-cultural impacts of our relationship with nature:
À perte de vue by Marie-Chloé Racine and Sarah Salem
Cenote by Kaori Oda
Icemeltland Park by Liliana Colombo
Jiíbie by Laura Huertas Millán
Lichen by Lisa Jackson
maɬni – towards the ocean, towards the shore by Sky Hopinka
Piedra Sola by Alejandro Telémaco Tarraf
Stray by Elizabeth Lo
The Magnitude of All Things by Jennifer Abbott
The Two Sights by Joshua Bonnetta
Un fleuve l’hiver by Félix Lamarche
SEEKING COMMUNITIES: 11 films that observe and examine politics, identity issues and social reintegration. From observational grand narratives to autobiographical testimonials, this section is all about how we engage with others:
City Hall by Frederick Wiseman
Clean With Me (After Dark) by Gabrielle Stemmer
Communicating Vessels by Maïder Fortuné and Annie MacDonell
Dark City Beneath The Beat by TT The Artist
Film About a Father Who by Lynne Sachs
Home, and a Distant Archive by Dorothy Cheung
In the Shadow of the Pines by Anne Koizumi
Les libres by Nicolas Lévesque
Merry Christmas, Yiwu by Mladen Kovacevic
Monologues du Paon by Matthew Wolkow
Ndagukunda déjà by Sébastien Desrosiers and David Findlay
Presented in collaboration with Radio-Canada.
NOVEMBER 19 TO 25, the RIDM will focus on:
CONTEMPLATING DYSTOPIA: 12 films that confront the strangeness of our world. An unlikely road movie with the spokesman for a death cult, an imagined world without people, futuristic architecture and nocturnal odysseys. These creative films reframe our reality:
A Machine to Live In by Yoni Goldstein and Meredith Zielke
A Shape of Things to Come by Lisa Malloy and J.P. Sniadecki
Armour by Sandro Aguilar
Bile by Ira A. Goryainova
FREM by Viera Cákanyová
Hole by Jaakko Pallasvuo
Los Conductos by Camilo Restrepo
Me and the Cult Leader by Atsushi Sakahara
Shānzhài Screens by Paul Heintz
Signal 8 by Simon Liu
Tension Structures by Adrian Duncan and Feargal Ward
The Foundation Pit by Andrey Gryazev
BECOMING ONESELF: These 12 films are profiles and self-portraits about our relationship with the world – a series of inspiring and poetic existential quests that affirm the many definitions of self:
Lointain by Aziz Zoromba
Mazzarello by Carmen Rachiteanu
Métamorphoses by Nicolas Renaud
My Mexican Bretzel by Nuria Giménez
No Ordinary Man by Aisling Chin-Yee and Chase Joynt
Passage by Sarah Baril Gaudet
Petite Fille by Sébastien Lifshitz
Prière pour une mitaine perdue by Jean-François Lesage
Six Pieces in Stargazer Album by Jiyang Zhang
The Plastic House by Allison Chhorn
Trees in Summer by Suyu Lee
Wintopia by Mira Burt-Wintonick
CHALLENGING POWER: These 12 films, running the gamut from activist cinema to highly experimental pieces, confront past and present injustices while paying tribute to many brave and committed people:
Stateless by Michèle Stephenson
Downstream to Kinshasa by Dieudo Hamadi
Impardonnable by Marlén Viñayo
Invasion by Michael Toledano and Sam Vinal
Landfall by Cecilia Aldarondo
Les femmes du soleil: une chronologie du regard by Hamed Zolfaghari
Mother-Child by Andrea Testa
Nardjes A. by Karim Aïnouz
Oil & Water by Anjali Nayar
Peugeot pulmonaire by Samy Benammar
Quelque chose brûle by Victoria Maréchal, Nicolás Tabilo and Macarena Astete
Softie by Sam Soko
Presented in collaboration with the CSN – Confédération des syndicats nationaux.
NOVEMBER 26 TO DECEMBER 2, the RIDM will ask viewers to:
REDEFINING INTIMACY: 13 films with an intimate side, exploring everything from family relationships and romantic entanglements to the state of healthcare. These very personal stories question the relationship between the individual and their society and time:
CHSLD by François Delisle
CHSLD, Mon Amour by Danic Champoux
Goodnight Goodnight by Mackenzie Reid Rostad
Le Fils de l’épicière, le Maire, le Village et le Monde by Claire Simon
Life of a Dog by Danae Elon and Rosana Matecki
Mon Amour by David Teboul
Sayōnara by William Andreas Wivel
Southern Sorceresses by Beto Amaral, Carla Caffé and Eliane Caffé
Tandis que je respire encore by Laure Giappiconi, Elisa Monteil and La Fille Renne
Teeth by Jennifer Martin
Thanadoula by Robin McKenna
The Metamorphosis of Birds by Catarina Vasconcelos
Zero by Kazuhiro Soda
SURVIVING VIOLENCE: 12 activist films that testify powerfully to some of today’s most distressing violence: exploitation of Indigenous peoples, the tragedies faced by migrants, countries at war, state repression and violence against women:
3 Logical Exits by Mahdi Fleifel
Ankebût by Ceylan Özgün Özçelik
Aswang by Alyx Ayn Arumpac
Errance sans retour by Mélanie Carrier and Olivier Higgins
Extractions by Thirza Cuthand
La Maison Bleue by Hamedine Kane
La mort blanche du sorcier noir by Rodrigo Ribeiro
Night Shot by Carolina Moscoso
Purple Sea by Khaled Abdulwahed and Amel Alzakout
Sous un même soleil by François Jacob
The Earth Is Blue as an Orange by Iryna Tsilyk
Unarchive by Cecilia Araneda
AWARDS & JURIES
This year’s RIDM will have the same competitive sections as always, but the student and women inmates’ awards unfortunately cannot be presented this year.
Grand Prize For Best International Feature – presented by TV5
Grand Prize For Best National Feature – presented by Studios St-Antoine
Special Jury Prize International Feature
Special Jury Prize National Feature – presented by PRIM
New Visions Award – presented by the SCAM and Post-Moderne
Best International or Medium-Length Film
Best National Short or Medium-Length Film – presented by Télé-Québec and SLA location
Magnus Isacsson Award – presented in collaboration with ARRQ, DOC Québec, Funambules Médias, Cinema Politica and Main Film
People’s Choice Award – presented by the Canada Media Fund (NOUS | MADE)
Once again this year, the RIDM will host numerous discussions, round tables and activities to complement and enrich the festival’s film programming.
La soirée de la relève Radio-Canada will be back with first films by up-and-coming directors. The event will be livestreamed by Radio-Canada on November 22 at 5 p.m., after which the films will be available on ICI Tou.tv.
8 x Wapikoni mobile: the RIDM and the Wapikoni mobile are working together again this year to present eight short films online; they will be shown in rotation before all films in the Canadian competition.
Once again this year, the Public Listening Session gives festivalgoers the chance to immerse themselves in a world of sound. The program comprises three short audio works – winners of Le Réel à l’écoute competition – and a feature-length work. An event organized by Les Soirées d’écoute publique and CHOQ.ca, presented by the PRIM centre.
ROUND TABLES AND DISCUSSIONS
Diversity in French-language production: presented with the support of the Consulate General of France in Quebec, this round table moderated by Yanick Létourneau will include filmmakers Amandine Gay and Miryam Charles and producer and programmer Hicham Falah. The panellists will discuss diversity issues in French-language documentary production.
Film and theatre: production during a pandemic: presented in collaboration with Espace libre, Wapikoni mobile and Cinéma Moderne, this round table is moderated by Aude Renaud-Lorrain. The panellists, François Bernier and Hubert Lemire (DuBunker) and Marie-Kristine Petiquay (Wapikoni), will discuss their creative and logistical experiences and challenges during the pandemic.
New reality-based narratives: a checkup: presented in collaboration with Inis and the labdoc (laboratoire de recherche sur les pratiques audiovisuelles documentaires) at UQÀM, this round table moderated by Matthieu Dugal will look at the state of affairs in the digital media ecosystem and new narrative approaches in documentary.
RIDM Dialogues: video discussions with filmmakers who have a work in this year’s festival.
The RIDM Podcast: multiple episodes focusing on interviews with Quebec filmmakers. Produced in partnership with 24 images magazine.
PRICING FOR PASSES AND SECTION SUBSCRIPTIONS
This year, the RIDM box office is exclusively online, via the festival’s website. To keep access to the entire program simple and affordable, there are only two purchasing options:
RIDM Pass – $70 +tx: the pass is good for all festival programming
Section Subscription – $15 +tx: good for all films in one of the 8 sections
All films in the official selection will be available at all times during the festival weeks listed at enligne.ridm.ca. The viewing platform will be accessible as of November 9, with the films available starting November 12 at 8 a.m.
Please note that if public health conditions permit, several in-theatre screenings may be announced in early November. In this case, single tickets will be sold through the RIDM website.
The 23rd annual RIDM will take place from November 12 to December 2, 2020.